Now that A Room Full of Elephants is out, I’m planning to read more. Top of the pile: Moon Over Soho, the second book in the Peter Grant/Rivers of London series by Ben Aaronovitch. If you remember, I enjoyed the first tremendously.
Although not a sequel, Moon dovetails nicely with the end of the first book. Rivers had consequences, and they’re not funnelled into the Thames to dilute to nothing. Rather, they form an underlying thread at which Aaronovitch occasionally tugs, with the promise of more in subsequent books. I’m glad he didn’t wave the big red magical-realism reset wand: I’m now two books into a series, and I’m certainly here for the duration. (The third book’s already lower down the pile.)
Where Moon isn’t quite as successful, for me, is in the main plot. It feels a little disjointed, less coherent, than Rivers. Some of the plot developments aren’t as surprising as it appears they’re supposed to be. Without spoiling anything, our protagonist displays a certain… lack of due diligence in one particular area. I know from experience that it’s tricky to keep revelations revelatory: as the author, you know whose fingers are in which pies and it’s often hard to judge the correct balance between sprinkling a few crumbs and chucking buckets of pastry at the reader. Here it doesn’t distract greatly from the fun of the book, merely triggering the occasional arctic eye-roll. (I’m sorry.)
One criticism I’ve heard – entirely fairly – about my own Till Undeath Do Us Part regards its detailed geographical references: the “he turned left onto King’s Parade and waved at Charlie the bin-busker” sort of thing. Moon has these too. Not everyone likes them but I think they’re fine here: London’s a minor character, and the details help ground the reader in reality as a counterpoint to the magic. Knowing the locations – through personal experience or by reputation – heightens the fantastical elements.
I do like how Moon ends: both the end of the plot, and the winding up that takes place in the closing pages. Full of bittery sweetness, regrets and promise. The spark of magic glinting at the edges of the grey hardness of police life.
Overall: not quite as enjoyable as Rivers, but a solid, fun read that sets things up nicely for book three.